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Marvel Masterworks: Warlock Volume 1, by Roy Thomas
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In 1972, Marvel Comics marched into a new era, an era where super heroes increasingly reflected the world's turmoil and social unrest. And the hero for that era was the newly christened Adam Warlock! Mixing action and allegory, Roy Thomas and Gil Kane armed the character Stan and Jack called "Him" with the soul gem and launched him on a wild ride across the cosmos to Counter-Earth.
COLLECTING: Marvel Premiere (1972) 1-2, Warlock (1972) 1-8, Incredible Hulk (1968) 176-178
- Sales Rank: #774378 in Books
- Published on: 2015-01-06
- Released on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .50" w x 7.00" l, 1.31 pounds
- Binding: Paperback
- 296 pages
About the Author
Since 1965, Roy Thomas has been writing for movies, television, and especially comic books. With notable runs on Avengers, X-Men, Conan the Barbarian, Incredible Hulk, and Star Wars; he served as a Marvel editor from 1965-80 and editor-in-chief from 1972-74. He currently edits Alter Ego and writes two online Tarzan strips as well as the occasional comic book. He and his wife Dann live in South Carolina.
Gil Kane (ESSENTIAL MARVEL TEAM-UP and MARVEL VISIONARIES: GIL KANE) drew almost every major character in comics throughout his illustrious career. He is best-known for his work on DC's Green Lantern.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A good example of early 1970's "relevance"
By Robert Fisher
A few months ago, I enjoyed (and reviewed) Avengers vs. Thanos, a collection of stories from the late 1970's involving many of Marvel's heroes battling the mad Titan. One of the central characters was Warlock and that got me interested in this collection of his earlier adventures. It is not as strong as what Jim Starlin would produce in just a few years, but it is a nice example of the "relevant" comics of the early 1970's. Roy Thomas in his introduction notes that Jack Kirby's Fourth World and the musical Jesus Christ Superstar were big influences on Warlock ( I could appreciate this as I recently read a collection of Kirby's Forever People). Warlock is a bit stilted and there is a feeling that it's playing too much to the college kids (indeed, a Bullpen Bulletin is reprinted that notes Marvel's popularity on campuses). Nevertheless, I did like it and thought that there were some intriguing concepts, particularly the conception of the High Evolutionary as creator of Counter-Earth, uncertain of the wisdom of his action and wondering if he should just give up on his world. Warlock's arch-foe the Man-Beast figures in a climax that would have really hit home at the time of Watergate and the ending is a moving one that gets an assist from a Ray Bradbury quote.
0 of 0 people found the following review helpful.
A Unique Superhero reaches for the heavens...falls from grace...is then miraculously 'reborn' a few Years after!
By Book & Music thief, from HI
This original 'Warlock' series by Roy Thomas and Gil Kane was a little before my time, since my days collecting 'Marvels' as a kid extended mainly from the very late-1970's into about the mid-80's..... but having been a huge fan of Jim Starlin's 'Cosmic' Universe = I first knew of 'Adam Warlock' as a mysteriously-powerful cosmically-aware reluctant-warrior endlessly searching for a measure of 'peace & tranquility' but rarely finding it....... sometimes teaming with Gamora, Pip, even Spiderman, the Thing and the Avengers against the awesome-annihilator Thanos! (and earlier, facing his own mirror-image evil-incarnate self from the future – the 'Magus')
But this volume collecting 'Adam Warlock's earliest outings beginning with 1972's 1st issue of 'Marvel-Premiere' featuring the awesome 'Power of Warlock' with script by speculative-fiction aficionado Roy Thomas and fantastic Artwork by the Legendary Gil Kane seemed way ahead of its time, in terms of more mature philosophical-spiritual perspective and storytelling (taking a page form Stan Lee's earlier 'Silver Surfer' series but perhaps being even more 'relevant' to the tumultuous-times of 1972 when our country was still in the midst of seemingly endless War in Vietnam, along with continuing Civil-Rights struggles at home, with Watergate looming not far-off)
As other Amazon reviewers have already accurately and articulately stated below (and as mentioned in Roy Thomas' introductory-essay) Adam Warlock's original adventures on Counter-Earth were in some ways meant to function as the ultimate 'morality-play' = pitting the uncorrupted/ untarnished Soul of 'Warlock' = whose very name completely contradicted the fact that he was meant to serve as a nearly ‘pure’ Christ-like protector and guardian of the higher-aspirations and compassionate-civilized aspects of newly-created duplicate Counter-Earth = a planet reborn to represent a 'second-chance' for humanity to redeem itself, i.e. this time perhaps successfully resisting the violent self-serving instinctively-cruel inclinations of the 'Man-Beast' and his feral minions who connive to overrun new-Earth and once again undermine any higher aspirations of its human inhabitants and defeat/humiliate its noble guardian Adam Warlock (and all that he stood for).
What an ambitious concept by Roy Thomas...... to bring such a seriously thought-provoking scenario to mere comic-books (which touched on not only the topics of 'War & peace' but also religion/belief and the human yearning for genuine meaning...... searching for answers and authentic 'goodness' in an increasingly chaotic, senselessly violent World). But Roy Thomas' original vision might have been a bit too ambitious within the boundaries of a mere comic-book after-all (especially in those earlier days) = looking at it today, you almost wish that Thomas & Gil Kane (and publisher Stan Lee) could have expanded the first Adam Warlock Story into a full-fledged Graphic Novel (but sadly the first 'Power of Warlock' issue might have been too far ahead of its time...... because it would be another full-decade before graphic-novels highlighting more daringly philosophical-controversial (and topical) scenarios became more commonplace, e.g. the X-Men: "God Loves, Man Kills" (circa 1982) and of course Alan Moore's "Watchmen" (which did in fact begin as a multi-part comic in 1986).
Issue #2 of 'Marvel-Premiere' and the first 3 to 4 issues of 'Warlock's stand-alone series briefly kept-up the momentum generated by that first appearance/Issue of Marvel Premiere = mainly due to the exceedingly high-quality of Gil Kane's masterfully Dynamic (but quite 'realistic') Artwork....... but sadly, issues #5-8 although still 'above-average' by comic-book standards (with an intriguing 'twist' on the Reed Richards + Doctor Doom characters) seemed to lose the authentically spiritual-philosophical underpinnings of the earliest Adam Warlock stories...... the Hulk issues included herein are a bit stronger and more cohesive.
Of course, it was not until Jim Starlin revived 'Adam Warlock' a couple years later in the pages of 'Strange-Tales #178' and then Warlock’s own all-too-brief continued series (and those two great Annuals from 1977: especially the one featuring 'Avengers') that the true 'power' of Warlock was fully-reborn-realized (but Starlin's amazing Works are featured in separate collections from this one).
Although Starlin envisioned Adam Warlock as a more complex and ‘cosmically-aware' character (who struggled with a 'dark-side' to his seemingly unlimited powers), but Warlock remained a mostly 'noble' character still searching-reaching for genuine signs of the authentic ‘good’ (endlessly seeking this priceless rarity in his travels thru the multiverse) = a profoundly 'reluctant' warrior who at times would much rather retreat inwards toward the 'peace & harmony' located within the infinite World of his own Soul-Gem (with compatriots Gamora and Pip by his side!)
But without a doubt the first few appearances of 'Adam Warlock' by the creative-team of Roy Thomas and Gil Kane reflected an auspicious beginning for a truly unique reluctant hero....... with nearly limitless powers and equally limitless potential = still a mainstay in the vast Marvel-Cosmic-Universe (burning-question: will he be featured in the next two Avengers films along with adversary Thanos... need to wait and see!)
0 of 0 people found the following review helpful.
Savior in spandex
By William Timothy Lukeman
This short-lived series might well have been called "Jesus Christ Superhero" -- a fascinating concept to be sure, but constricted by what comics would allow in the early 1970s. Still, the first few issues are solid, with dynamic art by Gil Kane & basically good writing by creator Roy Thomas. If it's not as polished as Thomas' other work, I imagine part of that was due to the new & uncertain ground he was treading. On one hand, he didn't want to offend more religious readers; on the other hand, he didn't want it to be just another superhero comic. While the first stories quite clearly use the New Testament as a template (albeit gingerly), they're also very much of the time -- generational conflict, a desire to change the world & question the status quo at every turn. For readers today, much of this will probably be rather awkward & a little corny -- but it was quite daring for back then, and should be read in that light.
Perhaps it was simply a couple of decades too soon ... but there's also a notable decline in art & writing after Kane & Thomas leave the series. This really needed a single, ongoing creative force behind it to even have a chance of working. Once that was lost, too much standard superheroing came in, the religious & political aspects became much too heavy-handed (even though I largely agreed with the message), and the series was soon cancelled, to be concluded in 3 issues of The Incredible Hulk. Luckily, Warlock's true time to shine was just around the corner, awaiting the arrival of Jim Starlin.
So is it worth reading? I think so -- and not just as a curiosity, but as an example of unrealized potential, as well as a cultural time capsule. It would be interesting to see some gifted creator of today take the same beginnings & run with them. That's not likely to happen, but it's something to think about ... what if? Meanwhile, these stories remind us of a time when superhero comics were open to remarkably wild possibilities -- recommended for that reason!
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