Ebook Nat Turner, by Kyle Baker
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Nat Turner, by Kyle Baker
Ebook Nat Turner, by Kyle Baker
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The story of Nat Turner and his slave rebellion--which began on August 21, 1831, in Southampton County, Virginia--is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster--a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. This graphic novel collects all four issues of Kyle Baker's critically acclaimed miniseries. It also includes a new afterword by Baker.
- Sales Rank: #358311 in eBooks
- Published on: 2015-01-06
- Released on: 2015-01-06
- Format: Kindle eBook
From School Library Journal
Grade 10 Up—Originally self-published in four installments, Nat Turner follows the dark legacy of the Virginia slave rebellion and subsequent murders of at least 55 white slave owners and their families in 1831. Baker presents a cinematic reel that integrates beautiful sepia-toned panels, newspaper headlines in period font, photographs, and historical texts; most heavily drawn from is the recorded Confessions of Nat Turner. The book begins with the brutal capture, mistreatment, and direct and indirect murder of native Africans by white fortune seekers, with disturbing detail such as the sharks following slave ships for the plentiful corpses thrown overboard. These images, as described by a young Turner to his astonished first-generation relatives, were apparently some of the first in a number of "visions" that the staunchly religious man experienced throughout his short life. Turner is presented as a fiercely intelligent, angry, yet steadfast individual whose potential was dashed in an era of hate and inhumanity. Those characteristics are mirrored in the actions of the slaves' rebellion, in illustrations that are not for the faint of heart or the weak of stomach. The ideas brought forth here are sure to ignite debate and discussion, and this book would be a most interesting companion to other studies of antebellum history such as Edward P. Jones's The Known World (HarperCollins, 2003).—Shannon Peterson, Kitsap Regional Library, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Kyle Baker—writer, artist, animator, director, and publisher—has written and illustrated thirteen graphic novels and won multiple Eisner and Harvey Awards. His work has appeared in The New Yorker, The New York Times, Esquire, Spin, Rolling Stone, The Voice, EW, and Details, and he has worked for Disney, Warner Bros., HBO, Dreamworks, Cartoon Network, DC Comics, Marvel Comics, Random House, Nickelodeon, and Scholastic. He lives in New York City.
Most helpful customer reviews
17 of 20 people found the following review helpful.
Stunning, important
By Rob O
This is easily one of the most stunning graphic novels of the past decade, and Baker might just be one of the most important graphic novelists around now. The book is virtually wordless, except for minimal sound effects and dialog, along with historical source notes. Baker doesn't ignore the violence of his source material, but his portrayal of one of the most controversial moments in the history of slavery in America is safe enough for even very young readers.
5 of 6 people found the following review helpful.
Painful but important
By Sharon M. Galbraith Ryer
Not for the squeamish. Baker's art is graphic and pulls no punches. The brutality inherent in the Turner uprising, as well as in the conditions that led to it, are brilliantly and painfully depicted with few words other than Turner's own. A haunting portrait of the hate that hate built in the American South.
1 of 1 people found the following review helpful.
Moving and Compelling
By J. Hundley
The story of Nat Turner is, in many respects, a difficult one to come to terms with. Like John Brown, who followed later, he was a man faced with an intolerable truth (even more so, of course, considering Turner had no choice but face it) and responded with extreme measures that, 190 years later, we here today have trouble justifying to ourselves. It is most decidedly not a pretty picture in any way, shape or form. But there it was.
And here it is, in a moving, gut-wrenching graphic work that fuses Turner's own words (as conveyed in his Confession by Thomas Grey) wedded to remarkable visuals by Kyle Baker. What Baker has achieved here is, I think, an emotional masterpiece.
This is, yes, a graphically violent book, but unlike some others here, I praise Baker for his restraint. His choice of color palate, size and location of images on the page, serve not to sensationalize the gore here, but rather to mute it. It is here, we look it straight in the face, but we in no way wallow in it. It is in the rest of the story, the rest of the visuals, where we are really forced to confront the horrors of Turner's reality - the reality of millions of men and women around him - and the choice he made to fight back in the only way allowed. Baker's skill allows us to see, often wordlessly, the fear, desperation, anger, sadness and hypocrisy of the world Turner inhabited, at least a little - at least to the extent we can imagine all these years on.
Baker does not present Turner as some sort of Super Hero Avenging Angel. Far more compellingly, he presents him as a man living in a nightmare, who's rebellion was a direct consequence of that nightmare. And he does so with a very uncommon grace and visual eloquence that cannot help but touch a sensitive reader.
It is pointed out here and there in the reviews that this is not a book for young children. No. It isn't. I cannot imagine that Baker intended it to be. But it is very much a book for adults, and those approaching adulthood, to remind us of where we have been and what our forefathers and -mothers lived through and that, for many of them, their choices were neither easy nor pretty. This is a very, very moving book about what happened one time in the US when the chickens did truly come home to roost.
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