Free PDF Powers Volume 5: Anarchy, by Brian Michael Bendis
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Powers Volume 5: Anarchy, by Brian Michael Bendis
Free PDF Powers Volume 5: Anarchy, by Brian Michael Bendis
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Society is lashing out at its superheroes. Anti-powers groups are rising up with a series of gruesome murders against the city's most powerful capes. With Walker retired, Detective Pilgrim teams up with a new partner to investigate this murderous superhero backlash and the people behind it. This completely redesigned, reformatted and reworked volume is perfect for both new readers and old! COLLECTING: Powers (2000) 21-24
- Sales Rank: #624235 in Books
- Brand: Bendis, Brian Michael/ Oeming, Michael Avon (ILT)
- Published on: 2015-01-27
- Released on: 2015-01-27
- Original language: English
- Number of items: 1
- Dimensions: 10.25" h x .25" w x 6.75" l, .50 pounds
- Binding: Paperback
- 128 pages
From Publishers Weekly
This strong collection explores questions raised decades ago by Alan Moore and Frank Miller: how would ordinary citizens feel about sharing their world with people who have superhuman abilities? And what responsibility accompanies extraordinary power? Multiple award-winners Bendis and Oeming have some original answers, beginning with their choice to tell the story from the viewpoint of police officers who are trying to solve the murders of a string of superheroes. With their limited human abilities, the detectives are hard-pressed to figure out the seemingly irrational behavior of the murderous vigilantes. Their investigation forces them to sort through wads of nonsensical ramblings in hopes of finding a clue, but readers will soon realize the killers are in fact giving pointers. In the world Bendis and Oeming have createdâ€"where detectives are dismissed from the force for giving interviews about corruption in law enforcementâ€"how can anyone trust people who claim power? What if we're letting our lives be controlled by unworthy self-appointed guardians, superbeings wearing masks? The nature and legitimacy of authority is the real issue here, as experienced by a couple of do-gooders who are just trying to keep the peace. Oeming's loosely brushed art is scrupulously streamlined into what looks like storyboards for a TV cartoon, but that works well with Bendis's convincing script. It would be unbearable if the action were depicted more realistically, since people are killed or severely injured throughout this story, and Bendis and Oeming have created real people whose pain matters.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
The Powers universe gets darker.
By Amazon Customer
The series by Bendis and Oeming appeared, at first light, to be a police procedural applied to superheroes; "NYPD Blue" cops exploring superhero-related murders. That was interesting enough for the first several story arcs. With this particular story arc (collecting Powers issues 21-24) the focus widens to reveal a widespread antipathy towards the Powers. It's what would have happened if extremists like the Ku Klux Klan or the Weather Underground found popular support for their murderous plans. It's no longer just "murders with capes" - it's a society turning against people it once adored. It's like the stories of "celebrities in trouble" that fill our news. (It's also much like comic book fans who have "outgrown" the superheroes of their youth, and how they hate their early obscession.) The author and writer have said the "Powers" story is building up to a final conclusion - although they insist they aren't even half finished with the stories they want to tell - and this volume, slimmer than most of the "Powers" trade paperbacks, is an important step on that road.
2 of 2 people found the following review helpful.
It Just Keeps Getting Better
By B. Bukowski
Deena Pilgrim must solve a new mystery involving a series of brutal murders on superheroes, but these deaths also bring a new perspective into the forefront concerning how superheroes affect everyday lives.
Bendis and Oeming have produced one of the best arcs yet in this innovative title. Bendis' writing is, of course, very good as we see the best characterization yet of the series in a story that is darker and more serious than earlier stories. Bendis pulls out all of the stops as we see Deena when she is pushed to her limits, but we also see a tender, caring side as she confronts her relationship with her partner. Also, many of the past story arcs finally come into play as well as some heavy foreshadowing that alludes to future arcs. Oeming's cartoon noir art matched with Pantazis' dark, yet at times very vibrant colors combine to create visuals that perfectly match the story. Also included in this book is an interesting interview between the creators on their own careers. With better storytelling and improved artwork over the first storylines, "Powers" continues to be one of the best, most original titles in years. Keep them coming!
NOTE: This book is recommended for older readers due to strong language and violence/gore (a comic book equivalent of an R-rated movie).
1 of 1 people found the following review helpful.
Short but powerful like the punk genre upon which it is based
By Rac A. Powsky
I must now stop saying that Alan Moore and Frank Miller killed the superhero genre. Michael Bendis and Mike Oeming have given us a great world building series in which superpowered beings mess up, kill each other and go into some very dark places. The cops for superheroes trope seemed rather silly in Powers, Vol. 9: Psychotic (v. 9) but now that I've grown accustomed to the series, I find it rather brilliant.
When it comes to this particular storyline, the authors have been quoted as saying that this is the Sex Pistols of the series in which punk rock comes to the forefront and fight the power takes a literal approach as the murderers are idealists who see Powers as an evil - not a necessary evil - just evil - and they choose to throw molotov cocktails at flying heroes and burn them to death.
Knowing where this series is going, it's not hard to sympathize with the perspective but like all dogmas, it can't be taken to the extremes. Beyond that, this is a tight and powerful storyline in which things blow up, people die and the punk verges on splatterpunk.
Great stuff.
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